Implementing Readers Theatre as an Approach to Classroom Fluency Instruction by Chase Young and Timothy Rasinski in The ReadingTeacher 63(1) 2009, discusses the success seen through the use of reading theatre in a grade 2 class. “Accuracy, automaticity, and prosody lead to good comprehension”. Reading theatre encourages students to improve on their reading speed without adversely affecting their attention to meaning. It is in the nature of reading these scripts that students also work on discovering meaning, and how intonation and stress naturally develop that meaning for their audience. It is in the nature of readers theatre that no props or costumes are required. However, some of the scripts I have used do allow for the use of masks. This suits the needs of some of my less confident students.
I’ve just come across this website, “Readers theatre all year” offering reader’s theatre scripts. The scripts are interesting and of varying durations so that I can differentiate in the classroom. My students and I have enjoyed working on short scripts in class before but I haven’t until now found scripts that weren’t childish.
The challenge I have is in finding themes that can appeal to my mature 18 year olds as well as my younger 13 and 14 year olds all within the one class! On the whole I find I have to steer away from animal centred texts that don’t appeal to the teens.
Another website that offers reader theatre scripts is the super teacher site. Check out these others too. “The best class” at http://www.thebestclass.org/rtscripts.html has a huge range directed at grade 2 level. Teaching heart.net has scripts that are slightly more difficult. I have modified a couple for use. And I love using the materials from “a-z learning”.
Last term I had students work on performance poetry for their assessment. This term I’ll be using readers theatre. I think the opportunity to work with peers and the culmination of a term’s word on decoding and phonics will be harnessed through these activities. And students do enjoy the creativity of working on these scripts.
Some tips to see the smooth running of the programme:
-choose a range of scripts and explore the texts in class before students actually choose their role.
-ensure the scripts have difficult words modified prior to students seeing the script. It can be frustrating finding huge chunks of unwieldy text to deal with.
– some scripts had long unnecessary segments that confuse students. Adapt the script when necessary.
– work on pronunciation throughout the preparation stage. When students are performing in front of an audience, you want the best from them.
– part of the value in using such scripts and allowing students to choose their own roles is that students develop a realistic perception of what they can and cannot do. Some of my students choose difficult scripts, sometimes with just difficult pronunciation being the issue, and then make up their own mind to look for something more suitable. I think this development of self awareness is healthy.